Bloober Team/Lionsgate Games
Genre: Survival Horror
Not all horror movies lend themselves well to their respective genre. Some efforts with popular movies like The Ring and Ju-On fall flat almost immediately while franchises like Friday the 13th and Evil Dead have produced offerings that, while not critically stellar, appealed to their audience and resulted in stronger showings. The reception of movie-based games, in general, has been all over the map.
When the Blair Witch film was announced to be released in 2016, sixteen years after the second film had slipped into theaters and directly into cult status, it came as a bit of a surprise to audiences that another entry was on the horizon. Another surprise came when an announcement was made about a game being developed for the same franchise coming out in 2019. Considering the quick obscurity of the trilogy of games developed for the PC in the early 2000s, taking another step into the gaming pool was an unexpected venture to hear about at first.
Headed up by Bloober Team, the creators of prominent indie titles like Layers of Fear and Observer with input from Lionsgate Films, the developers of the Blair Witch films, it seemed like after the decent reception for the film a few years before, the formula could be perfect to strike at the Blair Witch and her reign of terror again. Given the impact the initial trailer had, it seemed like the game could land on either side of the quality fence- but given that the game hit the XBox Game Pass, I figured it was as good a time as any to find out for myself how well the end product turned out from one of my favorite horror films growing up.
Dead Rising 2
Blue Castle Games / Capcom
Genre: Action Horror
The Dead Rising series is a group of games that I thoroughly enjoy but don’t get to talk about often. The series is larger than a lot of folks give it credit for at four mainline entries, a number of “side stories” and reimaginings, and a number of films in its mythos. The series has stalled out a bit since its second feature-length movie, Dead Rising: Endgame in 2016 and a re-release of Dead Rising 4 in 2017, but it has a solid foundation of material to sift through for anyone interested in checking it out.
After the success of Dead Rising back in 2006, it seemed to take forever for a second game to follow in its footsteps. When announcements started up in 2009 that another Dead Rising game was on the way, I can remember being pretty excited for some more over-the-top zombie survival using every object I could get my hands on. After three years, it was exciting to think about how far the game could have come from the original, too. The canon ending to the original left plenty of unanswered questions and room for expansion on the plot after all.
Dead Rising 2 had a big set of blood-covered boots to fill, not only from its origins but due to the release of the next entry in Capcom’s heavy hitter series, Resident Evil 5, that came out the same year it was announced. The original game still had some buzz but it was pretty much in bargain bins by the time the second game came around. Promises from the original team, though, showed that the company had faith in their upcoming product. As a fan of the second game from the previous times I’d played it, I wanted to put it under a more critical lens to see if it still held up ten years later. Continue reading
Clock Tower 3
Genre: Survival Horror
There has been a lot of conversation about how great the horror library on the Playstation 2 was in circles I chat with. A lot of these games have hit “cult” status outside of Silent Hill and Resident Evil with a few folks talking about Fatal Frame since it’s managed to continue producing entries up until last generation. In between those games, though, sit titles like Rule of Rose, Kuon, and the follow-up to a little series that found its footing in the US on the first Playstation console: Clock Tower 3.
After the rights to the Clock Tower series switches hands, it fell into the Capcom stable alongside Resident Evil, lending the series a little steam to get attention for its third game. Publisher name aside, the game announced that Kinji Fukusaku who had directed Battle Royale just a few years prior would be in charge of the cutscenes among a handful of other known industry names, some of whom had worked on Capcom’s major series before. The investment in the game’s production was deep, and it seemed like both the developers and the publisher had a lot of resources to draw from.
The last time Clock Tower had changed hands, though, we got a mess of a game with Clock Tower II: The Struggle Within. Understandably, people had a lot of hope for the new game with the names attached to it but were still sore from trusting that the last Clock Tower would live up to the first two games. Personally, my memories of the game were a little hazy, save for a few scenes here and there. In my unofficial pilgrimage to relive some of the games I grew up on and to complete my playthrough of the series entirely, I dug out my copy of Clock Tower 3, booted it up and decided to take a swing at it with some experienced but fresh eyes.
Clock Tower II: The Struggle Within
Human Entertainment/Ascii Entertainment
Genre: Point-and-Click Survival Horror
Horror movies and games share a lot of similarities in structure, especially when it comes to sequels. In horror films, you may have the same Final Girl and killer for a film or two before you have to move onto a completely new set of characters. Most likely, though, a franchise will try to keep up a similar style of horror and tone for its duration, shifting only when it becomes vital to keep the series fresh and interesting. In similar fashion to films, horror games usually try to stick to their guns until they become too repetitive.
The Clock Tower series had established itself as a tense slasher game. Jennifer Simpson was our Laurie Strode, Scissorman acting as our Michael Myers, hellbent on destroying her and the lives around her. Like the first Halloween film, Clock Tower: The First Fear was a dark and atmospheric endeavor while Clock Tower on the Playstation was more like the second film. There was more of an emphasis on action and the slasher aspect, but it still kept the players’ hearts in their chests.
Clock Tower II: The Struggle Within is our Halloween III.
The real difference between those two works, though, is that there is an audience who appreciates Halloween III for what it was- a failed attempt at turning the franchise into an anthology that worked fine if it was considered on its own merits sans the Halloween name tag. In all of my memory hearing about The Struggle Within, though, I hadn’t heard one good thing about the game. No one was singing a solo of unappreciated merits in the overwhelming chorus of vitriol against it.
As someone who enjoys singing solos about certain games of that sort, I had to finally complete the one game in the Clock Tower mythos I hadn’t yet and see for myself if there was anything worth salvaging. Continue reading
Warp / Panasonic / Acclaim
Genre: Horror Adventure
Gaming in the 1990s was living in an age of wonder and innovation. In no way is this meant to nullify the decades before that sealed the foundation of gaming technology, but in retrospect, the 90s feel like they were a turning point in the medium’s popularity. The majority of the people I talk about games with can remember systems like the Atari and Colecovision consoles, but their fondest memories always come back to systems like the Super Nintendo, Sega Genesis, and later on, Sony’s Playstation console.
When I first got my Playstation, I rented two games. One of them was Final Fantasy VII which showed off just how much the new system could do graphically as well as content-wise. The other was a little game that I couldn’t remember much about after a few years called D. What I did remember was the protagonist and some scene involving a mirror… maybe? It was very fuzzy but I remember not spending much time with it for one reason or another.
Shocking, I’m sure, that when I had the chance to go back and play the game again recently, I took the chance gladly. D and its sequels have gained a solid cult following over the years. I’ve read up a bit on how bizarre and interesting the games are on a variety of levels for the sake of research but managed to avoid any major spoilers. Being able to head back into D semi-blind after nearly 20 years seemed like a task I’d be willing to take on, especially heading into the Halloween season.