Clock Tower II: The Struggle Within
Human Entertainment/Ascii Entertainment
Genre: Point-and-Click Survival Horror
Horror movies and games share a lot of similarities in structure, especially when it comes to sequels. In horror films, you may have the same Final Girl and killer for a film or two before you have to move onto a completely new set of characters. Most likely, though, a franchise will try to keep up a similar style of horror and tone for its duration, shifting only when it becomes vital to keep the series fresh and interesting. In similar fashion to films, horror games usually try to stick to their guns until they become too repetitive.
The Clock Tower series had established itself as a tense slasher game. Jennifer Simpson was our Laurie Strode, Scissorman acting as our Michael Myers, hellbent on destroying her and the lives around her. Like the first Halloween film, Clock Tower: The First Fear was a dark and atmospheric endeavor while Clock Tower on the Playstation was more like the second film. There was more of an emphasis on action and the slasher aspect, but it still kept the players’ hearts in their chests.
Clock Tower II: The Struggle Within is our Halloween III.
The real difference between those two works, though, is that there is an audience who appreciates Halloween III for what it was- a failed attempt at turning the franchise into an anthology that worked fine if it was considered on its own merits sans the Halloween name tag. In all of my memory hearing about The Struggle Within, though, I hadn’t heard one good thing about the game. No one was singing a solo of unappreciated merits in the overwhelming chorus of vitriol against it.
As someone who enjoys singing solos about certain games of that sort, I had to finally complete the one game in the Clock Tower mythos I hadn’t yet and see for myself if there was anything worth salvaging. Continue reading
Genre: Action Adventure
Since the earlier days of console gaming, Castlevania has been a standout series alongside esteemed first-party brethren like Super Mario Bros. and The Legend of Zelda. Over the course of the 8 and 16-bit days, the series managed to produce just under 10 or so unique games for itself, and the popularity it gained after the night-untouchable Symphony of the Night released on Playstation made it a force to be reckoned with. While keeping true to its core mechanics, for the most part, Castlevania rode the waves of evolution over generations in a way that many series with they could have, whether by quantity or quality.
Inevitably, this would mean that when the jump to 3D gaming started to rise with Super Mario 64 and The Legend of Zelda: Ocarina of Time, Castlevania would surely take the leap with them. With a strongly established mythos and plenty of recognizable elements, the series brought a dark tone to the otherwise colorful and fantastical offerings plenty of other powerhouses had been for years to the Nintendo world.
Looking back now, there are some horrors aside from the creatures of the night the Belmont Clan had been used to that many games entering the 3D arena had to compete with. Notoriously, Castlevania 64 tripped into some of these pitfalls, but so did plenty of the heavy hitters during that time. Why, then, have we seen so much love for Super Mario 64 and Ocarina of Time but not for Konami’s attempt at making a more immersive trip to the Count’s castle abode? Continue reading
Genre: Action Adventure
During its launch in the US, Sega’s new Dreamcast console released with 18 games in tow. While that’s not a paltry number for the time, there were only a handful of recognizable titles in the mix like Sonic Adventure and Mortal Kombat Gold. Titles like Soulcalibur and House of the Dead 2 weren’t exactly household titles yet but were familiar to the arcade going crowd. Then, there was a host of games to file under the “unknown” label; intellectual properties that were getting the chance to grow and become new franchises on a sparkly new system.
Blue Stinger is the system’s sole attempt at a straight-up action adventure game from their launch. With the newly formed Climax Graphics at the helm and heavyweight publisher Activision helping the game, it looked to be a formidable attempt at starting a new series in the vein of Dino Crisis and other success stories from the time. I still remember seeing a hefty amount of advertising pushing the game in magazines, and my best friend at the time had grabbed a copy almost immediately because it looked so good.
Unfortunately, I didn’t remember much about playing it aside from the opening scenes when I dove into it recently. As a huge fan of the Dreamcast and its unique library, Blue Stinger is a game I’ve been meaning to take a trip through given its strange existence in the gaming community today- plenty of folks seem not to remember the game exists and those who do have polarizing views on it.
Having dug my heels in to finish it recently, I have my own thoughts on it to share on both how it holds up and regarding its place in gaming at the time. Continue reading
System Shock 2
Irrational Games/Looking Glass Studios/Electronic Arts
Genre: Horror First-Person-Shooter
There are always games that sound like they will be right in your gaming sweet spot that will somehow turn you away from them. It took me a while to try out Final Fantasy XII and once I did, it became one of my favorites in the series. Another game that I’ve warmed up to but still haven’t completed is Bioshock. A little known fact about me is that I really enjoy first-person shooters and based on what I’ve heard about the Bioshock series, it seemed like a bunch of games I’d easily be able to sink my teeth into. Sometimes, it’s worth taking the chance to overcome your hesitations and just try a game if you can.
Oddly enough, another game that is closely related to Bioshock called System Shock 2 had been on my radar for a while. I was told it was a cyberpunk horror first-person shooter with RPG elements. Literally, nothing in that description does anything to deter me. Looking up the game, though, it looked like a very basic FPS and between the fans online having such fervent positive reviews of the game and the fact that its marketing in the current day felt all over the place, it was tough to get excited about giving it a whirl.
It was the connecting threads from Bioshock to System Shock 2 and the suggestion of a friend (who I will publicly thank “anonymously” as ‘The Horror’) that finally pushed me to install the game. Seeing that Ken Levine and a handful of others were involved with both titles helped me feel like the atmosphere from Bioshock could easily have been translated from System Shock 2. It’s also been rare that Horror has suggested a game that I didn’t enjoy once I got into it.
Eventually, as I was sitting at my computer one day browsing through games in my backlog, I mentally threw my reluctant hands into the air and said:
“Y”know what? I’m gonna give System Shock 2 a go.”