Huntsman: The Orphanage – Halloween Edition
Genre: Alternative Horror
I have a strong love and hate outlook on media that comes packaged with the tagline “based on a true story”. When it comes to drama or biographies, obviously there’s a lot more authenticity to be had. It’s when it comes to my favorite genre- horror, in case you didn’t know that about me yet- that it becomes a strange mess of “facts” and embellishment. A Nightmare on Elm Street is technically based on a true story. No, none of what happens in that film is an actual part of the news clipping it was inspired by.
This is where “CreepyPasta” comes in. At its core, CreepyPasta makes up the urban legends of the current day including the now-familiar figures of Slender Man and the Rake. While it knows it’s not real from the get-go, there are some very convincing efforts to make them seem legitimate. The things you can do with technology these days make these efforts even tougher to poke holes in at times. There are some fascinating stories to take in and consequently lose sleep to.
Huntsman: The Orphanage – Halloween Edition is a game that, much like some other small indie games, capitalizes on creating its own story rather than building on an existing mythos. Shadowshifters, the developers of the game, seemed more intent on creating something like the Slender Man and Rake tales by creating an experience that was not graphic or violent in its telling but would leave the audience’s imagination to fill in the gaps as to how the story plays out involving its victims. Stumbling across this game among others in one of the many Steam sales, I thought it would be neat to see how this was handled given the plethora of other modern urban legends being created in the gaming landscape. Continue reading
Romancing SaGa: Minstrel Song
The SaGa series is a lot like the Final Fantasy series in a number of ways. This should come as no surprise to anyone familiar with the golden era of Squaresoft and its catalog given the series’ roots being marketed at first as Final Fantasy Legend on the Game Boy. When game designer Akitoshi Kawazu joined Square and helped in the development in the first two Final Fantasy titles, he may not have specifically known that he was going to end up in charge of directing another one of the company’s longest running series when he was made the director of the Legend series.
Romancing SaGa hit the Super Famicom back in 1992, creating a niche in the role-playing genre that was off-beat enough to stall the series from reaching US shores under this name and with its current mechanics until five years later with SaGa Frontier. After the relative success of that game and its sequel, the company got to work on bridging into the next generation of gaming on the Playstation 2 with two more SaGa titles under the banner- Unlimited SaGa and a title simply known as Romancing SaGa.
Being familiar with the infamous reputation of Unlimited SaGa, I recently decided to turn my attention to Romancing SaGa (with the silent subtitle of Minstrel Song, I assume to discern just a bit further between the PS2 version and the original) as it’s been sitting in my collection for some time. The first time I attempted the game, I was lost. I hadn’t gotten the first idea of how to proceed even having been a fan of SaGa Frontier at the time. I’ve grown a bit since then and have had a lot of exposure to the series; I can’t even begin to describe how excited I am for the release of Romancing SaGa 3 coming to us soon. In my excitement and with new information under my belt regarding how to proceed with the series, I decided to give Romancing SaGa: Minstrel Song another whirl. Continue reading
Fiction Factory Games/PQube
Genre: Romantic Comedy Visual Novel
In the early 1980s, the Atari was king of the home consoles for video gaming. As with anything that turns a profit and is fairly innovative, everybody wanted a piece of the new “home gaming” pie and between 1982 and 1983, the home console market became saturated with more systems and titles than anyone could truly afford or have space for at the time. Believe it or not, the stories of cartridges of E.T. for the Atari 2600 being buried in the desert because retailers couldn’t hold them on their shelves and the poor quality due to rushed manufacturing times are factual, if not a bit inflated, and they were just one piece of the puzzle that nearly stopped heavy hitters like the Nintendo Entertainment System from reaching US shores.
But what if that hadn’t happened? What if the industry had practiced a bit of moderation with their excitement or retailers had sufficiently embraced this cutting-edge technology and had met the demand for supply? What if game manufacturers had been more worried about crediting their programmers and putting out quality product rather than rushing to try for the highest sales they could?
Wow. A lot of this is starting to sound kind of familiar…
In any case, my first introduction to Arcade Spirits was an explanation that it took place in a world much like you may imagine those “what if” situations could have produced. While it’s clear that the game industry is flourishing and not in much immediate danger of history repeating itself, how would arcades, now a bit of a novelty rather than commonplace as they were in the 80s and 90s, have fared if there hadn’t been a video game crash at all?
Well, the chance to see one potential outcome awaits you right behind the neon and brick title screens of Arcade Spirits.
(As a quick note, if you’d like to read more about the gaming crash in 1983, the Wikipedia page here has a ton of information to start with!)
Genre: Action Adventure
During its launch in the US, Sega’s new Dreamcast console released with 18 games in tow. While that’s not a paltry number for the time, there were only a handful of recognizable titles in the mix like Sonic Adventure and Mortal Kombat Gold. Titles like Soulcalibur and House of the Dead 2 weren’t exactly household titles yet but were familiar to the arcade going crowd. Then, there was a host of games to file under the “unknown” label; intellectual properties that were getting the chance to grow and become new franchises on a sparkly new system.
Blue Stinger is the system’s sole attempt at a straight-up action adventure game from their launch. With the newly formed Climax Graphics at the helm and heavyweight publisher Activision helping the game, it looked to be a formidable attempt at starting a new series in the vein of Dino Crisis and other success stories from the time. I still remember seeing a hefty amount of advertising pushing the game in magazines, and my best friend at the time had grabbed a copy almost immediately because it looked so good.
Unfortunately, I didn’t remember much about playing it aside from the opening scenes when I dove into it recently. As a huge fan of the Dreamcast and its unique library, Blue Stinger is a game I’ve been meaning to take a trip through given its strange existence in the gaming community today- plenty of folks seem not to remember the game exists and those who do have polarizing views on it.
Having dug my heels in to finish it recently, I have my own thoughts on it to share on both how it holds up and regarding its place in gaming at the time. Continue reading
System Shock 2
Irrational Games/Looking Glass Studios/Electronic Arts
Genre: Horror First-Person-Shooter
There are always games that sound like they will be right in your gaming sweet spot that will somehow turn you away from them. It took me a while to try out Final Fantasy XII and once I did, it became one of my favorites in the series. Another game that I’ve warmed up to but still haven’t completed is Bioshock. A little known fact about me is that I really enjoy first-person shooters and based on what I’ve heard about the Bioshock series, it seemed like a bunch of games I’d easily be able to sink my teeth into. Sometimes, it’s worth taking the chance to overcome your hesitations and just try a game if you can.
Oddly enough, another game that is closely related to Bioshock called System Shock 2 had been on my radar for a while. I was told it was a cyberpunk horror first-person shooter with RPG elements. Literally, nothing in that description does anything to deter me. Looking up the game, though, it looked like a very basic FPS and between the fans online having such fervent positive reviews of the game and the fact that its marketing in the current day felt all over the place, it was tough to get excited about giving it a whirl.
It was the connecting threads from Bioshock to System Shock 2 and the suggestion of a friend (who I will publicly thank “anonymously” as ‘The Horror’) that finally pushed me to install the game. Seeing that Ken Levine and a handful of others were involved with both titles helped me feel like the atmosphere from Bioshock could easily have been translated from System Shock 2. It’s also been rare that Horror has suggested a game that I didn’t enjoy once I got into it.
Eventually, as I was sitting at my computer one day browsing through games in my backlog, I mentally threw my reluctant hands into the air and said:
“Y”know what? I’m gonna give System Shock 2 a go.”