Resident Evil Gaiden
Game Boy Color
Capcom / M4
Genre: Action Horror
2002 (2001 in PAL region)
I missed out on the Game Boy Color for the most part so a lot of the games that were designed for the system are still mysteries to me. Somewhere between the Game Boy, the Super Nintendo, and the Super Game Boy, this little handheld slipped right under my nose while I moved from console to console. When I find games that would have snagged my attention back then in the current day, I immediately try to jump on them so that I can see exactly what I was missing.
Having loved Resident Evil since my friend described it to me on the original Playstation years ago, I spent hours with Chris and Jill on their flagship venture through the Spencer Mansion. Resident Evil 2 also became and continues to be a favorite of mine. I remember briefly seeing something about a Game Boy entry of the series in some magazine, but I couldn’t tell you which magazine it was or how deeply the article explained it. I never saw it on the store shelves so it slipped from my memory pretty easily, especially since it had come out in the PAL region before coming over to the US so I had no idea if I would even see it.
The next time I ran into Resident Evil Gaiden was on a random shelf at a Wal-Mart down the street from my house well after they had stopped selling GBC games. I didn’t pick it up then, either, but I was always curious about it. Part of the Resident Evil experience had to do with the scope and the narrative, both of which were things I hadn’t experienced on the Game Boy. Having the chance to play Resident Evil Gaiden recently, I finally got to see how I would feel about the ‘lost’ chapter of the series.
Nintendo Entertainment System
T&E Soft Incorporated/FCI
Genre: Action RPG
Tracing any genre back to its roots is difficult, though you can usually find a batch of games that are clear frontrunners in innovation. Mechanically speaking, there are a lot of games that owe their predecessors for concepts that were not quite perfect when they appeared but have since been worked to impressive precision. For better or worse, Hydlide was one of those frontrunners.
Originally released in 1984 for computers in Japan, the game worked to present a fantasy role-playing game like no other, though it was joined by Falcom’s Dragon Slayer series at about the same time. Both are action RPGs and while Dragon Slayer still comes up pretty frequently in my studies on video games and history, I’d only heard of Hydlide in passing once or twice before I found a complete-in-box version at my local gaming store.
There had to be some reason that I had heard so much about one series and not the other, I figured. Looking into FCI, the publisher, I noticed that they had some hand in helping the Ultima and Advanced Dungeons & Dragons games make it over this way, and I’ve enjoyed what I played of those.
Let me recount my journey for you, then, of how I felt about Hydlide on its own merits, historically and playing through it in the year 2018.
Shiver Games/Lace Mamba Global
Genre: Stealth Horror
The number of horror sub-genres in film are vast- slashers, thrillers, hauntings, killer toys; the groupings are near endless and occasionally ridiculous. One particular style of horror movie that still makes the rounds is the ‘demonic child’ trope. Whatever the reason, the concept of something usually cherished as pure and innocent like a child exacting horrible deeds has unsettled movie goes for decades with titles like The Omen, The Bad Seed, and The Good Son. Shiver Games decided to take their own spin on this with their flagship title, Lucius.
Based out of Finland, Shiver Games has only worked on games in the Lucius series including a ‘demake’ of the original title and a second game, Lucius II: The Prophecy. Their goal, according to their website, is to offer up a unique spin on horror gaming. While there isn’t a lot of other information presented by their site, their devotion to the title is clear. After spending some time with Lucius, though, I definitely have some thoughts on this little tenacious project.
Nintendo / Intelligent Systems
Genre: Adventure Platformer
All right. Confession time.
Up until recently, I’ve never played through a Metroid title. I’ve honestly only ever even picked up two of the games in my life- the original for the NES and Super Metroid for the Super Nintendo. Fairly recently, I mentioned this on Twitter and after a few exchanges with some folks there, I resolved to finally play through the most vocally revered entry to Samus Aran’s adventures: Super Metroid.
I can pinpoint why it’s taken me so long to get to the series in a few ways. In its prime, Super Metroid didn’t appeal to me as a gamer on most levels. It’s taken me a while to embrace the science fiction gaming genre. The general mechanics of exploration- now dubbed as an entire genre called “Metroidvania”- didn’t appeal to me in the slightest when I was younger, either. By the time I started becoming intrigued by the Metroid games, the series already had a bunch of titles under its belt.
Since then, though, I’ve become endeared to a number of sci-fi flavored games and have played through a number of recent Castlevania games that play in a similar fashion to what I had been avoiding due to years. Given my mission statement to experience and learn about as much gaming as I can, it felt like it was time to fill in this gap in my digital past.
One might ask “how did I feel finally having played Super Metroid”? I’m more than happy to share my impressions about the experience with you folks!
(As a quick aside, I’m toying around a bit with the format of the reviews so you may notice some shifting of sections in the next few before I settle on the best format for what I’m going for. Any and all feedback is welcome, as I want these reviews to be as reader-friendly as possible, too!)
DigiFX Interactive / Merit Studios
Genre: Horror Adventure
There are plenty of gaming discussions and topics that grab my attention and engage me, but few really stoke my fires like video game controversy and censorship. I’ve definitely hinted as to how much I love exploring the how and why of a lot of these actions (see my article on Night Trap for a sample taste of that) come to be. Even better, I love hearing the voices of the creators on these matters.
Once again, I dip my toe into a game that fought censorship and bred controversy in its day with Harvester. When Harvester released back in 1996, it shocked plenty of people with its claims of being ‘the most violent adventure game of all time’. Given its place in electronic history, I could maybe see where its claim could be valid. There was a lot of competition to push boundaries while balancing interesting gameplay not only to ‘stick it to the man’ but to also promote commentary on what was acceptable in video games and film at the time. According to Wikipedia, Gilbert P. Austin who wrote and directed the game said that he wanted to use Harvester to explore whether violence in the media created violence in real life. Sounds oddly familiar, yeah?
This brings a few questions to the table then: did Harvester achieve what Austin was looking for? Were the shock and awe worth it? Above all else- is Harvester even a good game?
Well, I’m glad you asked! Continue reading